Teksty - mądre i niemądre (dlaczego?)

[pan_Heathen]

Mniejsza ze stronnikami, choć wystarczy zajrzeć do tematu. Wystarczy również zajrzeć do tematu, aby w pewnym momencie przeczytać rzeczowe wytłumaczenie (bodajże w odpowiedzi na posta Rafa) co miałem na mysli pisząc o klapkach na uszach i dlaczego argumentacja twoja i twoich stronn... ups, twoja ma się nijak do tego, co chciałem powiedzieć. Czyli krótko podsumowując: klapki na uszach jako pisanie głupot o danym stylu muzycznym, a nie jako wąski krąg muzycznych zainteresowań.

[sarcofag]

Hehe, dobra, dobra, juz nie sciemnaj, chcesz tak pogmatwac wypowiedz, abym nic z tego nie zrozumial
_________________
Metal to Wojna - nie ma łatwo. Słuchamy wspaniałej muzyki i musimy zaangażować się w jej propagowanie. Musimy być dumni z Metalu i naszego forum !!! Danzig jest ale go nie ma
'Be Yourself' (ku ukojeniu serc strudzonych i sponiewieranych Polaków, utwór zachęca do bycia sobą i poszanowania samych siebie

[Oenologist]

Dziś pobawimy się inaczej.
Oto tendencyjne (nie przeczę
) porównanie dwóch utworów, które poruszają tę samą tematykę.
Today Is The Day - Afterlife
It's fake I'm sure Afterlife
Slowly sinking I reach for
You But you're not sure
The sky is blue
Your hand in mine
We'll walk the stars Unashamed of who
We are We'll rule this world
With my big cock
Oh God I love you
I live to rock
What are you made of
What are you afraid of Pussy Get on
This hot fire Let me hear you scream
My good friend
Gamma Ray - Afterlife
Do you believe in the aftreworld
Or the afterlife?
Do you agree there's a place for us
Beyond our life
Where the timeless call for life
Is lost and you will see
The forgotten dreams
That you once had become reality
They will be set free - nother day
You cannot leave if you do not want to stay
In the afterlife - in the afterlife
Life's a dream that you will forget
In the endless space
And the scars you got on planet Earth
Will be erased
You were blind until your eyes
Have stopped to see
And your powers unfold by the moment
You hit eternity
You will be set free
But you'll never return that's the price
You have to pay
In the afterlife - in the afterlife
Now you're gone, without a word,
You didn't say goodbye
I miss you here, where are you now,
An angel in the sky?
Your visit here has been too short,
You left to be set free
But I believe we'll meet again
And together we will stay
In the afterlife - in the afterlife
In the afterlife - in the afterlife
In the afterlife - in the afterlife
There's no return in the afterlife
Podczas gdy w pierwszym z utworów, podmiot liryczny ma dosyć jasną wizję tego, co chciałby robić po śmierci, w drugim, autor w sposób istotnie miałki i naiwny kreśli wizję drugiego życia. Miast dalszej analizy, pytanie - skąd tak znaczące różnice pomiędzy lapidarną, zwięzłą konstrukcją pierwszego tekstu i jego treścią, a laniem wody i operowaniem oklepanymi frazesami w drugim?
_________________
In Satan's name, You're exculpated from blame, for your world turning to black
Alas the deer shoot back, before we destroy it all.

[Greebo]

Forgive me if I'm out of order -
this new 'music' has no soul.
It may be good for making money,
(sadly that is not my goal).
Integrity and honesty are words that you don't understand,
but you're the best - it says so in the penny dreadful in your hand.
I saw you in a magazine,
they're calling you messiah.
They must be living in a dream -
they couldn't be more wrong.
If we'd played this riff more punk
then maybe we'd have had a million seller.
but this piper's tune is not for sale,
(I'm glad to say I'm not that kind of fella).
D.J.s, V.J.s, pimps and trollops,
never mind music - this is bollocks.
I saw you in a magazine,
they're calling you messiah.
They must be living in a dream -
they couldn't be more wrong.
Turn on, tune up, cash in, sell out.
Stand your ground behind the times -
and refuse to follow fashion.
Write your poetry with anger,
(and then sing it with a passion).
Painted faces in a circus - images that spring to mind,
when I read my penny dreadful filled with pictures of your kind.
I saw you in a magazine,
they're calling you messiah.
They must be living in a dream -
they couldn't be more wrong.
Commercial suicide's appealing after
ten years on this losing streak.
'Cause I'd rather be called sour and bitter
than be deemed the flavour of the weak.
I saw you in a magazine,
they're calling you messiah.
They must be living in a dream -
they couldn't be more wrong.
Extra, extra, read all about it!
I saw you in a magazine,
they're calling you messiah.
They must be living in a dream -
they couldn't be more wrong
Ktoś zakwestionuje ten tekst mistrza Walkyiera?

[Meltorm]

Dziś pobawimy się inaczej.Oto tendencyjne (nie przeczę) porównanie dwóch utworów, które poruszają tę samą tematykę.Today Is The Day - AfterlifeIt's fake I'm sure AfterlifeSlowly sinking I reach forYou But you're not sureThe sky is blueYour hand in mineWe'll walk the stars Unashamed of whoWe are We'll rule this worldWith my big cockOh God I love youI live to rockWhat are you made ofWhat are you afraid of Pussy Get onThis hot fire Let me hear you screamMy good friendGamma Ray - AfterlifeDo you believe in the aftreworldOr the afterlife?Do you agree there's a place for usBeyond our lifeWhere the timeless call for lifeIs lost and you will seeThe forgotten dreamsThat you once had become realityThey will be set free - nother dayYou cannot leave if you do not want to stayIn the afterlife - in the afterlifeLife's a dream that you will forgetIn the endless spaceAnd the scars you got on planet EarthWill be erasedYou were blind until your eyesHave stopped to seeAnd your powers unfold by the momentYou hit eternityYou will be set freeBut you'll never return that's the priceYou have to payIn the afterlife - in the afterlifeNow you're gone, without a word,You didn't say goodbyeI miss you here, where are you now,An angel in the sky?Your visit here has been too short,You left to be set freeBut I believe we'll meet againAnd together we will stayIn the afterlife - in the afterlifeIn the afterlife - in the afterlifeIn the afterlife - in the afterlifeThere's no return in the afterlifePodczas gdy w pierwszym z utworów, podmiot liryczny ma dosyć jasną wizję tego, co chciałby robić po śmierci, w drugim, autor w sposób istotnie miałki i naiwny kreśli wizję drugiego życia. Miast dalszej analizy, pytanie - skąd tak znaczące różnice pomiędzy lapidarną, zwięzłą konstrukcją pierwszego tekstu i jego treścią, a laniem wody i operowaniem oklepanymi frazesami w drugim?

Mercyful Fate - The Afterlife
Why am I here, in a quiet mortuary
A lady and man, flowers in their hands
Nobody sees me, I don't understand
Nobody hears me...
Seems like I don't exist
Seems like no one can hear me as I... Scream
I do not feel the way I used to be
Could it really be that the one I see is me
You gotta tell why people come but never stay
Could it really be that the one I see is me
Does it really matter... Do you really care
Why am I here, in a quiet mortuary
Listen to the bell, calling my name
Nobody sees, calling my name
Nobody hears me...As I... Scream
Why do I feel like I've been left behind
Could it really be I'm in the afterlife
You gotta tell me why I feel like I've been left behind
Could it really be I'm in the afterlife
Does it really matter... Do you really care
Why do I feel like I've been left behind
Could it really be I'm in the afterlife
You gotta tell why people come but never stay
Could it really be I'm in the afterlife
Does it really matter... Do you really care
A to? Kicha czy jakościowy tekst?

[Oenologist]

Nie wiem. Nie znam się. Zrób analizę, podyskutujemy
_________________
In Satan's name, You're exculpated from blame, for your world turning to black
Alas the deer shoot back, before we destroy it all.

[Meltorm]

Ja sie jeszcze bardziej nie znam także dupa, dyskusji nie będzie

[Greebo]

No ale jak obie strony się nie znają, to wtedy właśnie dyskusja jest najciekawsza.

[hollowman]

dla mnie dyskusja oblak vs reszta świata jest najlepsza ;]

[Greebo]

Bo jak już się nie znać to z rozmachem